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2015年東京國際音響展實況報導

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PAGE 01: 入口, DALI (Denmark) DENON (Japan) KIMBER KABLE (USA) Music Tools (Italy), avantgarde acoustic (Germany) ESOTERIC (Japan) Stressless (Norway), TANNOY (UK) van den Hul (The Netherlands) VPI Industries Inc. (USA), WBT (Germany), LINN (UK), ALBEDO (Italy) ANTHONY GALLO ACOUSTICS (USA) audel (Italy) Brodmann (Austria), Celsus Sound (USA) Davone (Denmark) Fuhlen (Japan) NuForce (USA) NuPrime (USA), OCTAVE AUDIO (Germany) PIEGA (Switzerland) QUADRASPIRE (UK) TRIGON (Germany), ALR/Jordan (Germany) , Audience (USA) BC Acoustique (France), CANOR Audio (Slovakia) Convergent Audio Technology (USA), Densen Audio Technologies (Denmark) Mytek Digital (USA) Vicoustic (Portugal), Vitavox (UK), TAOC (Japan)

PAGE 02: ADAM Audio (Germany) AVALON ACOUSTICS (USA) CARDAS AUDIO (USA) dCS (UK), JEFF ROWLAND DESIGN GROUP (USA) NAGRA (Switzerland) QRD (USA), Rockport Technologies (USA) T+A (Germany), YAMAHA (Japan), Accenta (Canada) Acustik-Lab (Switzerland) Boulder (USA), Straight Wire (USA) Westlake Audio (USA), Ampzilla (USA) ATC (UK) EMT (Germany) FirstWatt (USA) HEGEL (Norway) MAGICO (USA), McIntosh (USA) METRONOME (France) Nordost (USA) PASS (USA) SPL (Germany), UNISON Research (Italy), Kiso Acoustic (Japan) Shizuka (Japan), , KRELL (USA) ORPHEUS (Switzerland) YG ACOUSTICS (USA), Acoustic Solid (Germany) Ortofon (Denmark), audioquest (USA) Bowers & Wilkins (UK) marantz (Japan), , Duelund Coherent Audio (Denmark) EMM Labs (Canada) Grimm audio (The Netherlands), Lansche Audio (Germany) Meitner Audio (Canada) Mola-Mola (The Netherlands)
Stealth Audio Cables (USA), FOSTEX (Japan)

PAGE 03: JUNONE (Japan) KRONOS (Canada) PSVANE (China) SPENDOR (UK) TRIODE (Japan), , Ayre (USA) Bergmann (Denmark) Dan D’Agostino (USA) EXOGAL (USA), finite elemente (Germany) FM Acoustics (Switzerland) lumenwhite (Austria), MSB TECHNOLOGY (USA) TRANSPARENT (USA) Wilson Audio (USA), Aura (Japan) AVINITY (Germany) Bassocontinuo (Italy) Benz Micro Switzerland (Switzerland), Carot One (Italy) DRAABE (Germany) ELAC (Germany) inakustik (Germany) ORACLE (Canada), ORPHEUS (Switzerland) SFC (Japan) S.S Laboratories (Japan) Thales Tonarm (Switzerland), Clearaudio (Germany) Diapason (Italy) Duevel (Germany) EAR (UK) Kubala – Sosna (USA), Nottingham (UK) Presence Audio (UK) Soundsmith (USA), ACOUSTIC MASTERPIECE (Japan) AIRTIGHT (Japan) critical mass systems (USA), MOERCH (Denmark) My Sonic (Japan) TRANSROTOR (Germany), Acoustic Signature (Germany) Audio Pro (Sweden) FOCAL (France) QUAD (UK), Wharfedale (UK), ARGENTO AUDIO (Denmark) ARTESANIA AUDIO (Spain) BRINKMANN (Germany) Constellation Audio (USA), EINSTEIN (Germany) Graham Engineering (USA) MAGNEPAN (USA) MANGER (Germany) manufaktur (Germany), Musical Surroundings (USA) ReQuest Audio (Switzerland) Richard Gray’s Power Company (USA) TechDAS (Japan), TIDAL (Germany) Trinnov Audio (France) VIVID audio (The Republic of South Africa) Wilson Benesch (UK), Aesthetix (USA) Audio Alchemy (USA) AudioMachina (USA) CH Precision (Switzerland), Gato Audio (Denmark) JANSZEN (USA) Ocean Way Monitors (USA) Organic Audio (Denmark), VIOLA (USA) ZELLATON (Germany), Accuphase (Japan)

PAGE 04: TAD (Japan), acoustical systems (Germany) ARGENTUM ACOUSTICS (USA) audio research (USA), BLADELIUS (Sweden) Burmester (Germany) DR. FEICKERT ANALOGUE (Germany), ENIGMAcoustics (USA) KLAUDiO (USA) LABORATORIUM (Italy) NITTY GRITTY (USA), Sonus faber (Italy) Wadia (USA) XLO (USA), acoustical systems (Germany) ARGENTUM ACOUSTICS (USA) audio research (USA), BLADELIUS (Sweden) Burmester (Germany) DR. FEICKERT ANALOGUE (Germany), ENIGMAcoustics (USA) KLAUDiO (USA) LABORATORIUM (Italy) NITTY GRITTY (USA), Sonus faber (Italy) Wadia (USA) XLO (USA), CHORD (UK) ULTRASONE (Germany), Berkeley Audio Design (USA) Cambridge Audio (UK) darTZeel (Switzerland)
Goldring (UK) IsoTek (UK) the J-1 Project (Japan) Milty (UK) NorStone (France), North Star Design (Italy) Playback Designs (USA) PRIMARE (Sweden) Pro-Ject Audio (Austria), Vienna Acoustics (Austria) Wire World (USA)

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About Leo Yeh

Leo Yeh
身為發燒友已經將近20年,每天沉浸在High End音響的世界中,樂此不疲。